"...the viewer is challenged by what they are seeing & hearing. The visual quality is variable... repeatedly breaking down, bleaching out, solarising... The dominant soundtrack is a series of tones, gradually increasing in pitch, obtrusive yet also desensitising during periods of constancy. 'Wavelength' contributes as much to audio #art as it does to visual."
revisiting Michael Snow's Experimental Film of 1966 for my latest Signifier article: